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![]() ![]() ![]() After a flurry of piano octaves, fragments of the "plaintive" theme are revisited for the first time in E-flat major, then for the second time in G minor, and then the piano and the strings take turns to play the theme for the third time in E major while the timpani furtively plays a tremolo on a low B until the first subject's fragments are continued. The development section transforms this theme into an ominously building sequence, punctuated with snatches of the first subject material. After a short pause, a variation of the consoling theme closes the exposition in A-flat major. This is answered by a smoother and more consoling second theme, played by the strings and set in the subtonic key (A-flat major) over a pedal point, before a more turbulent reappearance of the woodwind theme, this time re-enforced by driving piano arpeggios, gradually builds to a stormy climax in C minor that ends in a perfect cadence on the piano (V7-i). The second subject group consists of two alternating themes: the first is mournful and plaintive, featuring some of the melodic contours from the introduction. ![]() The exposition proper then begins in the concerto's tonic minor key, with a Ukrainian folk theme based on a melody that Tchaikovsky heard performed by blind beggar-musicians at a market in Kamenka (near Kiev). The introduction ends in a subdued manner. This subsidiary theme is heard three times, the last of which is preceded by a piano cadenza, and never appears again throughout the movement. The first movement is initiated with four emphatic B-flat minor chords, which lead to a lyrical and passionate theme in D-flat major. Allegro con fuoco-Molto meno mosso-Allegro vivo (B-flat minor – B-flat major)Ī standard performance lasts between 30 and 35 minutes, the majority of which is taken up by the first movement.Andantino semplice – Prestissimo-Tempo I (D-flat major).Allegro non troppo e molto maestoso – Allegro con spirito (B-flat minor – B-flat major).The concerto follows the traditional form of three movements: ![]() It is one of the most popular of Tchaikovsky's compositions and among the best known of all piano concertos. Rubinstein later repudiated his previous accusations and became a fervent champion of the work. The first version received heavy criticism from Nikolai Rubinstein, Tchaikovsky's desired pianist. It was revised in the summer of 1879 and again in December 1888. 23, was composed by Pyotr Ilyich Tchaikovsky between November 1874 and February 1875. ![]()
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